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The future of Avengers is promising, and the artwork here is stellar but as an issue, I just wasn't nearly as high on the story as I hoped to be. Sadly, there just aren't enough of those, and some of the others feel like they could've been cut or saved for a different issue altogether to let better moments resonate more powerfully. A lot is going on at any given time, and while some intriguing stories will spin right out of this issue, the ones that truly stuck with me had more to do with internal conflicts and issues of personal weight than anything about prehistoric worlds, time travel, and multiverses. The bonus story is just a fun one-off with Thor and a mystery character I won't spoil here, but the story is beautiful and I personally loved the twist, so if you read the issue do not skip this digestif before closing the comic, because you will regret it later.Īvengers #50 is a bit hamstrung by its massive size and the expectations for a 50th (or 750th) issue.
Honing in on 1 or 2 would've reduced that and allowed time for those stories to bake as needed. That includes that final section that provides another major twist and compelling story seed, but there are just so many of them scattered throughout that they all start to overcrowd each other. Then it kind of goes off the rails.Įven though I wasn't a fan of every section or thread, this issue is gorgeous throughout, a testament to the incredibly talented team of artists and colorists working on it. That's all in the first 24 pages (the issue is over 80, mind you), and while that's quite a lot, it's still digestible. Then we move into the actual finale of "World War She-Hulk," followed by a look at the prehistoric Avengers and a meeting between Dr. We go from a disturbing story about The Orb to a Ka-Zar segment that leads into bigger stuff later. Avengers #50 has Jason Aaron at the writer's helm with a legion of amazing artists knocking out impressive pages, including Ed McGuinness, Javier Garron, Aaron Kuder, Carlos Pacheco, Rafael Fonteriz, Alex Sinclair, David Curiel, Matt Hollingsworth, Rachelle Rosenberg, and David Baldeon, while Christopher Ruocchio, Steve McNiven, and Frank D'Armata combine for a special story that, while not tied to the current plot, is pretty damn enjoyable on its own.Īvengers #50 is broken into prologues, epilogues, and smaller breakout storylines, and while they all are tied into Aaron's ongoing Avengers plot, this approach makes a lot of the issue feel disjointed and choppy.